When Mitt Romney asserted last week that “culture does matter,” he settled into a pose that was more triumphalist than anthropologist. Romney had begun by asserting that culture explained the difference in G.D.P. between Israel and the Palestinian Authority, but soon he was claiming that culture also made the United States “the greatest economic power in the history of the earth.” His attempt to define American culture settled in on vague attributes like “patriotism,” “family orientation,” “honor and oath” and “freedom,” a list that seemed cribbed from Ron Swanson’s Pyramid of Greatness.
Is it worth noting that America, itself, was secured from its aboriginal tribes through centuries of oath-breaking, through a malleable regard for freedom, and through the auctioning of families?
Probably not. When people invoke culture in the Romney manner, what they are really invoking is a scale by which humanity may be ranked from totally dysfunctional to totally awesome. The idea is that culture is a set of irrefutable best practices, when in fact it is more like a toolbox whose efficacy depends upon the job. If you want to create a nation with a dominant entertainment media, perhaps American culture is the way to go. If you’re uninterested in presiding over a nation with 25 percent of the world’s prisoners but only 5 percent of its population, perhaps not.
Whenever this particular incarnation of the culture wars erupts, I think back to my earliest experiences with my august employer, The Atlantic. On the scale of ashy to classy, I was more the former than the latter. But my relationship with the magazine often put me in the dining company of men and women who were not unused to nice things. These were the days when I powerfully believed Breyers and Entenmann’s to be pioneers in the field of antidepressants. My new companions had other beliefs, a fact evidenced by our divergent waistlines.
They organized dinners featuring several small courses, most of which were only partially eaten. The general dining practice consisted of buttering half a dinner roll, dallying with the salad, nibbling at the fish and taking a spoonful of desert. The only seconds they requested were coffee and wine.
I left the first of these dinners in bemused dudgeon. “Crazy rich white people,” I would scoff. “Who goes to a nice dinner and leaves hungry?” In fact, they were not hungry at all. I discovered this a few dinners later, when I found myself embroiled in this ritual of half-dining. It was as though some invisible force was slowing my fork, forcing me into pauses, until I found myself nibbling and sampling my way through the meal. And when I rose both caffeinated and buzzed, I was, to my shock, completely satiated.
Like many Americans, I was from a world where “finish your plate” was gospel. The older people there held hunger in their recent memory. For generations they had worked with their arms, backs and hands. With scarcity a constant, and manual labor the norm, “finish your plate” fit the screws of their lives. I did not worry for food. I sat at my desk staring at a computer screen for much of the day. But still I ate like a stevedore. In the old world, this culture of eating kept my forebears alive. In this new one it was slowly killing me.
It was like trying to drive a nail with a monkey wrench. And it could work in reverse. I could easily see how the same social pressures that urged dietary moderation could drive someone to an eating disorder.
Using the wrong tool for the job is a problem that extends beyond the dining room. The set of practices required for a young man to secure his safety on the streets of his troubled neighborhood are not the same as those required to place him on an honor roll, and these are not the same as the set of practices required to write the great American novel. The way to guide him through this transition is not to insult his native language. It is to teach him a new one.
There are obvious limits to this sort of relativism, and its invocation is not a moral pass for wife-beating, mass murder or slavery. Comprehension and censure are not mutually exclusive. On the contrary, the most effective condemnations proceed from comprehension. What stands out about Romney’s culture comments is how much he relies on bromides and banalities. It is almost as if he doesn’t know anything about the workings of culture at all.
But here we should be understanding. Romney hails from the party of birthers and creationists. He is the appointed representative of those who would see the strictures against same-sex marriage rendered constitutional. Ignorance is no stranger there. It is part of the culture.
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